This paper presents a journey for a set of photographs, videos and audio records,
passing through the neighborhoods of Santiago, by the marches, emblematic
institutions and some chilean photographer’s studios . The registration of these
records, somehow fed to present information about the past becoming memory
files. Gathered in the Pedro Lemebel’s exhibition ARDER , these records relate
to the events of the recent past that have damaged the collective memory, an
unresolved damage on which bears emphasizing. So these visual, audiovisual
and sound works, considered as files, open space to experience the past from
other senses and reactivates the experience of the energy of social transformation
during the dictatorship, boosted by the struggle for human rights.
de la Fuente Álvarez, A. (2016). BURNING in Memory: A Pedro Lemebel’s exhibition. Nomadías, (21). Retrieved from https://revistateoriadelarte.uchile.cl/index.php/NO/article/view/42821
